The Beast contemporary
Three poems: The Beast and Plato’s Theory of Forms, After Reading George Orwell’s 1984, and The Beast Refutes the Power of Language. The Beast emerges as the grotesque subject of a totalizing rationality whose ultimate ambition is to abolish every limit between thought and power, language and domination, the historical record and the sovereign fantasy of its author. Through a savage détournement of Plato, Orwell, and Derrida, these poems expose the authoritarian impulse at the heart of systems that claim mastery over reality itself, revealing how the desire to monopolize truth culminates in a regime of absolute self-reference where even the machinery of domination devours its master.
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